Too Good To Go
This conceptual work probes the conditions of financial anxiety through an assemblage of materials sourced exclusively from algorithmically targeted social media posts offering free samples. The process of composition becomes a negotiation with personal anxieties—a subtle choreography between precarity, ephemerality, and uncertainty. Hovering between fragility and order, the work gestures toward a deliberately tenuous structure: a two-dimensional architecture that holds, within its flattened frame, a longing for an intensified, utopian imaginary.
